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  <url>
    <loc>https://www.spasmdesign.in/awards-recognition</loc>
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    <lastmod>2023-07-31</lastmod>
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  <url>
    <loc>https://www.spasmdesign.in/awards-recognition/indian-top-architects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-24</lastmod>
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      <image:title>Recognition - AWARDS / RECOGNITION</image:title>
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      <image:title>Recognition - AWARDS / RECOGNITION - Make it stand out</image:title>
      <image:caption>Parikrama, Sarvasva</image:caption>
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  </url>
  <url>
    <loc>https://www.spasmdesign.in/selected-projects</loc>
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    <priority>1.0</priority>
    <lastmod>2026-03-27</lastmod>
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      <image:title>Projects - Khadakvasla, 2010</image:title>
      <image:caption>In the vast expanse of the surroundings, this is a home that engulfs a garden, a Shangri-La against the infinite. This project is a home located in Khadakvasla, near Pune, on the leeward side of the Western Ghats. In the vast openness of the surroundings, it made sense to trap a mysterious forest of dense green by stringing the rooms around it. A courtyard allows for a private dip in the thicket of the lush vegetation. The living pavilion, a counterpoint in the house, is a tall glass box which will throb with the flickering of the fireplace on cold evenings and will frame the changing hues of the sky as the sun sets. The verandah, with its timber lattice, sets a backdrop that negotiates between the enclosures and the central courtyard. Photographs: PHX India</image:caption>
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      <image:title>Projects - Mandvi House, 2018</image:title>
      <image:caption>Being the birth place and sacred hometown of the family, in Kutch – Gujarat, Mandvi holds a special place in the hearts of the clients. Located in the inner city of Mandvi with very narrow streets, with hardly any view around, the house was visualized as an introverted object drawing light mainly from the sky. The studio visited many homes in the neighborhood and the resultant design seeks to replicate the sense of space, light quality and intimacy of the homes which exist around. Thin windows with timber verticals allow light breeze and privacy while restricting sunlight. The body of the building is completely clad in locally procured ‘KHAVDA’ stone, in a worn and pitted texture, echoing the worn building bastions of what used to be a major port in Gujarat of the yesteryears. The house is self-contained and compact at the lower level as a response to Mandvi’s extreme climate while the rooftop has been treated to provide the much needed sense of openness and release.The timber jaali wraps around the terrace to create an intimate lounging space for cool evenings, from where one may gaze out at the spectacle of the Kutch sky. Photographs: PHX</image:caption>
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      <image:title>Projects - Contemporary Design Architects</image:title>
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      <image:title>Projects - Parikrama, 2021</image:title>
      <image:caption>We, were given the task of developing a sort of case study home for a friend who represents a Minimal-window producer from Portugal, in the Murud region amidst a coconut grove. The windows being high-tech and modern in their presence were meant to disappear against the verdant view. The stone construction was manifested in thick tilt-up 40mm granite slabs, allowing the minimal windows into cavity walls. Stone has a sense of time built into it, like the grandfather of building materials. It is also a highly sustainable material to build with due to the least number of processes required from quarry to site. Conceived as a super modern yet ancient vessel this construct, is a simple assemblage of giant panels of glass against huge Stone slabs. A primitive sense of dwelling pervades, as the day turns into a starry night sky and the light pours out of the glass making the stone invisible, a reversal of what one perceives in the day, once all else decays the stone will stand. Photographs: Umang Shah &amp; javiercallejas.com</image:caption>
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      <image:title>Projects</image:title>
      <image:caption>Three couples from Delhi, chose to move log stock and barrel to Alibaug; to live with nature and age gracefully together. We were asked to design them a commune like setting, in which they could come together and live equally private lives. At the heart of their ask was a strong emphasis on the sustainability of the project. We have in turn, upheld their commitment to their community and local ecology throughout the design and construction, whenever possible. Within the compound we have deployed specially designed Skim Solar Roofs, used locally sourced materials, planted and maintained indigenous flora, incorporated rain water harvesting and a vegetable garden. Country life in a true sense, spirituality aligned to the energy of the place.</image:caption>
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      <image:title>Projects - Villas for AM. 2015 - 2024</image:title>
      <image:caption>A series of villas developed for a private developer in Alibaug, the villas are built as robust entities designed to age gracefully. Inspired by the sites, each of these villas respond to the nuances of the particular site in creating a symbiotic relationship between the architecture and nature.</image:caption>
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      <image:title>Projects - Exim Tower, 2008</image:title>
      <image:caption>Amidst the low rise urban sprawl of the city, a fifteen storied building stands out as a ‘tower’. The brief for a speculative office tower curbs any architectural extravagances for economical viability. With Exim Tower, every architectural requirement was carefully synchronized to craft a building coherent to its siting and function. The principal glazing of the tower is shaded by a stainless steel mesh that filters solar gain, buffers ambient street noise, giving the body of the tower a sinuous weightlessness. Every floor extends in opposite directions along the longer side to create double height shaded terraces that offer comfortable outdoor experiences throughout the height of the building. These elements, which provide spaces sensitized to human needs and experience, express themselves in a sleek, horizontally stretched silhouette of the tower. We chose to bring value to the project through the comfort of human occupation in hope of enhanced productivity and creating a local icon. Photographs: Dharmit Lakshman</image:caption>
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      <image:title>Projects</image:title>
      <image:caption>Juhu, a part of Northern Bombay, was planned as a gridded development of residential plots during the 1950s. The area has since developed into a luxurious seaside district, characterised by its eclectic juxtaposition of architectural tastes and time periods.  Shivkunj is a reconstruction of one of these original multi-generational family homes in Juhu. Our intention here, was to allow this development to take the stage anew, whilst drawing on the original charm of Bombay balconies and outdoor living. The interiors, in noble materials, have been personalised for each family member and their respective art collections. A collective life of understated luxury and elegance.  The facades and windows are all treated as one skin, protecting the interiors against temperature variances and heavy coastal rains. The handsome anthracite black facade is bounded by crisp lines, giving way to the extending floor planes which blend interior and exterior life. The invitation of nature into the home is exemplified by the inclusion of a great variety of flora along the perimeter of each storey and the site.</image:caption>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>AMAG PUBLICATION_PARIKRAMA HOUSE</image:caption>
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      <image:caption>AMAG PUBLICATION_PARIKRAMA HOUSE</image:caption>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64228ab01c14a310070e6988/fa3d347d-4b7c-481d-ab35-83fc1a161f9c/ribaaa.png</image:loc>
      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64228ab01c14a310070e6988/32b9a09e-743e-4452-8015-883a084db0b9/SPASM+2+point+perspective+%28visuals+and+videos+coming+soon%21%29+%283%29.png</image:loc>
      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.spasmdesign.in/models-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64228ab01c14a310070e6988/1767705101341-FOS02RHKR1EVCKG2744L/01.jpg</image:loc>
      <image:title>Models</image:title>
      <image:caption>Architecture is about reshaping our environment. If you really want to understand this profession and make a meaningful transformation, the mind has to work from micro to macro scales instantly. Skills need to be honed to capture the right scale , the right enclosure against the appropriate openness . Models , become essential tools. We are producing all our projects and their immediate contexts , topographies , urban or not , at the same scale . In wood and aged brass . We feel it's a good way to grasp in one view the impact of projects on their sites . We feel this will lead to further insights . We need to understand ourselves better. Why we do what we do ? Do we repeat ideas ? Does that succeed? Can one project be switched to another site , would it work ? For Better or for worse .. . We feel , the exercise, eases the conversation in the studio , easy to pull out a couple of models and debate with tangible , ideas built by us . At this point Spasm , has enough behind us to chart a clear path ahead. We come from the last Analog generation, though we work with renders , we strongly believe physical models and hand craft is the dearer method to us , personally.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64228ab01c14a310070e6988/1767705101341-FOS02RHKR1EVCKG2744L/01.jpg</image:loc>
      <image:title>Models</image:title>
      <image:caption>Architecture is about reshaping our environment. If you really want to understand this profession and make a meaningful transformation, the mind has to work from micro to macro scales instantly. Skills need to be honed to capture the right scale , the right enclosure against the appropriate openness . Models , become essential tools. We are producing all our projects and their immediate contexts , topographies , urban or not , at the same scale . In wood and aged brass . We feel it's a good way to grasp in one view the impact of projects on their sites . We feel this will lead to further insights . We need to understand ourselves better. Why we do what we do ? Do we repeat ideas ? Does that succeed? Can one project be switched to another site , would it work ? For Better or for worse .. . We feel , the exercise, eases the conversation in the studio , easy to pull out a couple of models and debate with tangible , ideas built by us . At this point Spasm , has enough behind us to chart a clear path ahead. We come from the last Analog generation, though we work with renders , we strongly believe physical models and hand craft is the dearer method to us , personally.</image:caption>
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      <image:title>Models</image:title>
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      <image:title>Models</image:title>
      <image:caption>Architecture is about reshaping our environment. If you really want to understand this profession and make a meaningful transformation, the mind has to work from micro to macro scales instantly. Skills need to be honed to capture the right scale , the right enclosure against the appropriate openness . Models , become essential tools. We are producing all our projects and their immediate contexts , topographies , urban or not , at the same scale . In wood and aged brass . We feel it's a good way to grasp in one view the impact of projects on their sites . We feel this will lead to further insights . We need to understand ourselves better. Why we do what we do ? Do we repeat ideas ? Does that succeed? Can one project be switched to another site , would it work ? For Better or for worse .. . We feel , the exercise, eases the conversation in the studio , easy to pull out a couple of models and debate with tangible , ideas built by us . At this point Spasm , has enough behind us to chart a clear path ahead. We come from the last Analog generation, though we work with renders , we strongly believe physical models and hand craft is the dearer method to us , personally.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Architecture is about reshaping our environment. If you really want to understand this profession and make a meaningful transformation, the mind has to work from micro to macro scales instantly. Skills need to be honed to capture the right scale , the right enclosure against the appropriate openness . Models , become essential tools. We are producing all our projects and their immediate contexts , topographies , urban or not , at the same scale . In wood and aged brass . We feel it's a good way to grasp in one view the impact of projects on their sites . We feel this will lead to further insights . We need to understand ourselves better. Why we do what we do ? Do we repeat ideas ? Does that succeed? Can one project be switched to another site , would it work ? For Better or for worse .. . We feel , the exercise, eases the conversation in the studio , easy to pull out a couple of models and debate with tangible , ideas built by us . At this point Spasm , has enough behind us to chart a clear path ahead. We come from the last Analog generation, though we work with renders , we strongly believe physical models and hand craft is the dearer method to us , personally.</image:caption>
    </image:image>
    <image:image>
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  </url>
  <url>
    <loc>https://www.spasmdesign.in/collab-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-25</lastmod>
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      <image:title>COL(L)AB</image:title>
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  </url>
  <url>
    <loc>https://www.spasmdesign.in/films-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-16</lastmod>
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      <image:title>Films - Sarvasva, Mumbai 2024</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Films - Ikebana, Ahmedabad 2026</image:title>
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    <image:image>
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      <image:title>Films - Weekend House in Alibaug by SPASM Design</image:title>
    </image:image>
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      <image:title>Films - Gomati, Lonavala 2016</image:title>
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      <image:caption>Attendees interacting with the ‘wordless exhibit’</image:caption>
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      <image:caption>Samta Nadeem, curatorial director of STIR, hosted a brief public conversation at the show's opening with Sangeeta Merchant, Sumher Panjabi and Sanjeev Panjabi</image:caption>
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      <image:caption>Villa Verdes, Goa, SPASM Design (model)</image:caption>
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      <image:title>SPASM.ANIFESTO - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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